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Quién no / Who Isn#t?
Librairie Paragraphe. Livres Babar. Mabel's Fables. All pages are intact, and the cover is intact.
ISBN 13: 9788466316712
The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. Seller Inventory GI3N Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Condition: UsedAcceptable.
Seller Rating:. Available From More Booksellers. About the Book. We're sorry; this specific copy is no longer available. AbeBooks has millions of books. We've listed similar copies below. Seller Image. Published by Punto de Lectura. The Sea of Becoming makes up for this deficiency with studies on all book-length works except La conejita Marcela , a book for children.
Two articles focus on her first and best known novel.
Argelino | Spanish to English Translation by Lexico
Kathleen M. Glenn presents the various functions of art in El mismo mar de todos los veranos and points out the various literary techniques which join art and the narrator's life. Stacey L. Dolgin interprets the aesthetic of eroticism in Tusquets's second novel, El amor es un juego solitario : sexuality and fictional process interpret in their techniques of game-playing and liberating elements. A psychic identity joins the main characters who are different females in each piece, but who share the name of Sara ; autobiographical elements and repeated literary devices further link the females.
By far the greatest attention is lavished on Para no volver : five different perspectives on this latest novel engage in a fascinating dialogue on Tusquets's evolving novelistic art. Luis F.
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Two studies take the lines from the epigraph as a point of departure: for Catherine G. Only one article Mary S. This feature may introduce Tusquets to a wider audience, encourage scholars to study her as a fine example of contemporary writing and hence to give her a rightful place in international letters as well as to incorporate her works in women's studies courses.
This collection will be a valuable asset for anyone interested in exploring Tusquets's literary world in particular or in pinpointing some of the issues of concern in contemporary letters. Since many of this author's themes tend to surface time and again, the reader will profit by all the material in these studies, which serve both as an excellent introduction and as a serious scholarly contribution to the study of Tusquets's literature. Margaret E. Jones University of Kentucky.
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In this collection of studies presented at an Ohio State University symposium ten years after Francisco Franco's death, the outstanding scholars disagree about several aspects of the transition from dictatorship to democracy, including when it started and how much has changed. Obviously, the range of subjects treated expanded after the dictator's death, as did the literature from what were later called the autonomous states.
Instead, he suggests a comprehensive review of all aspects of Spanish nationalism. She attributes much cinematic success to new policies which ended censorship, provided government subsidies to the Spanish film industry, and increased the distribution of Spanish films abroad. He praises Operation Rescue, which staged earlier twentieth-century works which were prohibited after , and Operation Recovery, which recovered works written and prohibited during Franco's regime.
This, in his view, has exacerbated problems and lowered the quality of theatrical productions.
Overviews of the novels, poetry, and painting of transitional Spain were written by Ignacio Soldevilla Durante, Philip Silver, and Vicente Cantarino, respectively. The novel lost ground to informative historical texts and the print media, as people were able to read uncensored reports of events. Silver discusses the these directions poetry has taken: classical, surrealist, and confessional. Trends in the plastic arts are also eclectic, and there is less interest in figurative art. The inclusion of the latter is particularly puzzling, since the works studied were produced prior to the Spanish Civil War.
While the translations from Spanish to English are generally adequate, they are sometimes awkward and on occasion include confusing Latinisms or are grammatically incorrect. These minor shortcomings are far outweighed by the perceptive views expressed. This book, an important contribution lo the literary and artistic history of the s, will appeal to Spanish majors, to their professors, and to historians alike. Eunice D.
Myers Wichita State University. Initial readings of his books present him as a romantic seer or pastoral bard whose visions appear -spontaneously and unmediated- as he communes ecstatically with nature. More recent readings find in his texts an awareness of the fickleness of language, and a sense that its structure and figural deferrals form a cul-de-sac from which there is no escape. Mayhew has set himself two goals.